Quite usually I'm asked what's the greatest format to work with in Vegas Professional when you require to work together with Final Cut Professional editors on a Macintosh. The greatest codec I possess found is usually the free QuickTime codec. The reason I make use of this codec in inclusion to it's superior quality for learning, is definitely because it doésn't suffer fróm the gamma changes that some various other Personal computer codecs have when moved to the Mac pc. With Avid DNxHD, you get the gamma ranges you expect, and the high quality you require.

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Avid DNxHD can be downloaded free of charge from Avid at this hyperlink: Once you have got downloaded the instaIler you must operate it to install the codecs. Create certain that Las vegas Pro can be not running when you perform the set up.

Next you'll want to develop a make template in order to use it for output. This tutorial will show you how to make an Avid DNxHD template for rendering. Important Be aware: Throughout this tutorial I presume your task will be NTSC HD which is certainly 1920×1080 @ 29.970fps. If your task is different, choose a different frame size and frame price when you generate your template to complement your preferred output format. Stick to these tips after you have installed the free of charge Avid DNxHD QuickTime codec:. Begin by getting up the Give As Window in Las vegas Pro using: Document Give As and select QuickTime 7 (.mov) as the Output File format and 3 Mbps Video clip as the beginning Design template. This template is simply a beginning stage and we will require to modify it to complement our HD project properties so press the Customize Design template key to open up the Custom made Settings windows.

In the Custom made Settings screen, (1) choose High Description (1920×1080) as the Framework dimension, (2) choose 29.970000 as the Body rate, (3) select Upper submitted first as the Industry purchase, and (4) select Avid DNxHD Codéc as the Video clip format. Finally (5) push the Configure key to fixed the Avid DNxHD codec configurations. It's essential to point out that if you would like you provide to become progressive, 24p, or a different dimension, after that select those settings rather. In thé Avid DNxHD Codéc Construction window, select 709 as the Colour ranges if you are usually functioning in HD.

Select None of them as the alpha dog channel unless you need to protect alpha transparency, but for normal video clip this can be not required. Lastly under Promises select 1080i/59.94 DNxHD 145 8-bit or whatever setting matches the resolution and frame rate of your desired output. It will be important that what you choose here fits what you selected in the relaxation of the render template. Notice that the 145 designates the information rate of 145 Mbps which will create large files.

Other data rates like 220 will produce absolutely large files. Keep in mind, if your cameras acquired at 25Mbps you most likely can select the least expensive data price of 36 and still have outstanding quality. Press Okay to accept the changes. Click the Audio tab and make certain that your Sample rate is set to 48,000 and that the Sound format will be Uncompressed.

Lastly, provide your brand-new template a descriptive title and conserve it for upcoming make use of by pushing the Diskette switch. Press Okay to come back to the Make As home window. You now have got a brand-new template to provide your task as Avid DNxHD QuickTime data files.

Ideally this will provide you a good starting point for producing more layouts of your personal. It's generally greatest when producing templates to start with a template that'beds close to what you need and after that just change the video structure to the codéc you'd Iike to make use of. Happy Editing and enhancing, Johnny “Roy” Rofrano. About John Rofrano Mark Rofrano is certainly a Senior VASST Fitness instructor and the writer of Quick ACID, a guide on Sony ACID Pro software program, from CMP Books. He is usually furthermore the creator of Best S Pro, Vegas Professional Production Helper, Chaos, and other software program plug-ins like thé FASST Apps for Sóny Las vegas Pro NLE software program. John provides ended up a performing musician, vocalist, songwriter for over 40 decades, and developer and personal computer builder for the past 28 yrs.

He is also a discussion board moderator at the Innovative COW. 48 Remarks. Will the DNxHD codec function on all versions of the MAC OS and all variations of FCP? I'm operating on task making use of Sony Las vegas 12 with another publisher making use of FCP. She tells me that my DNxHD files will not really operate on her program. She tells me that án Avid Codec wiIl not function on FCP. I believe she under no circumstances loaded the DNxHD codéc on her Macintosh.

But can be it probable she do fill the Codec and it simply didn't function on her program? I desire I could point her toward an Apple company forum or something that informs her that thé Avid DNxHD wiIl work on FCP. The Avid DNxHD codec installs into QuickTime. You can develop DNxHD data files with any plan that supports QuickTime rendering.

MPEG Streamclip should function. There is definitely no “official” ProRés codec for thé Personal computer. ProRes will be a structure that you can only buy with Final Cut Pro X or Apple company Compressor therefore you'll want to possess a Mac with the appropriate software in order to create ProRes documents. I possess observed some PC software that claims to produce ProRes data files but they put on't work very properly and I query their legality sincé théy didn't permit it from Apple. I'meters importing animations that had been developed with proprietary software (25 frames per second, 1920 a 1080) into Vegas 12 and wishing to output High Ers.mov data files (preferably making use of Quicktime Computer animation Codec).

I'm like to import these files into Screenflow (Macintosh), instead than into Last Cut Pro. Two questions: 1) Must the Avid DNxHD codec become set up on my Mac pc as nicely as on my PC? 2) Screenflow indicates that it facilitates video and audio file types and codecs that QuickTime Player can play back again in Mac pc OS Back button10.6.x or higher, as listed at The DNxHD codec is not really on that list. Will this lead to that Screenflow will not really go through/open my documents and that I'm limited to using Final Cut Pro on the Mac as my non-linear editor? That was really helpful, and fast.and leads to the next question: Could you briefly evaluate the DNxHD Codec to various other ‘high finish' codecs such as ProRes, Animation and Intermediate? Given that I will right now possess the option of exporting animations from Las vegas rendered in either Quicktime Animation Codec ór in Avid DNxHD Codec (covered in Quicktime), how do the two codecs evaluate in conditions of high quality/file size?

Which of thé two would yóu make use of to create.mov files which will then be edited in a Mác-based non-Iinear editor such as Screenflow? Certainly there are a lot of editing situations, but let me give you one specific example: In Screenflow, I'll be combining in one clip a speaking mind.mov (produced with ProRes Codéc) and an animation (made with either Quicktime Computer animation ór Avid DNxHD Codecs) ánd in some cases will also be using chromakey to the speaking head and the computer animation prior to object rendering.

There will be multiple makes: moderate ers (for YouTube) and reduced ers (for site).mp4s (using x264 Codec) and WebMs (for website). Avid DNxHD can be a electronic intermediary codec simply like Apple company ProRes. The difference is certainly that the Avid codec will be accessible on both the Computer and the Mac pc while ProRes will be just “officially” accessible on the Macintosh.

(yes I know some companies have reversed constructed it on the Personal computer but these are usually not “licensed” by Apple and I wouldn't use them for expert work) This makes Avid DNxHD a great codec for movie that desires to end up being proved helpful on across a Computer and a Macintosh. QuickTime Computer animation is made for computer animation and offers support for an Alpha dog Funnel which will be what you are usually going to desire for overlays. I would make use of QuickTime Computer animation for any graphics or other function that needs the alpha dog channel be preserved.

I would use Avid DNxHD fór everything else thát has to proceed from Personal computer to Macintosh. I would use ProRes if my function was beginning on a Mac pc. Bob: Because of the file size differences between Computer animation and DNxHD codecs sited above, I've réverted to thé QT Computer animation codec, but am still carrying on to appear for an alternative codec. Presently, a.wmv document is enhanced in size by 22 instances when transcoded tó a.móv with QT Animation codec in Las vegas.

I'meters seeking an editing codec which will produce smaller file dimensions than QT Computer animation. Now, I connected through to your posting here from. In the Telestream write-up, “lossless x264” is certainly cited as an editing and enhancing format.

Is usually there such a issue? I have got Squeeze 9 for PC, but I couldn't discover any lossless x264 layouts in Sorenson Press or in their Preset Exchange. Sorenson denies that there is “lossless a264” or anything near. Definitely, any configurations I've tried with back button264 make tremendous compression.

Over the weekend break I did more study on ‘a264 lossless' and found both a order line coaching (which I don't know how to use) and a “quality” establishing or slider (depending on the edition of x264), which is definitely probably the “lossless” setting. The result: Transcodes from á 13.7 MB.wmv file: 1. Making use of Apple QT Animation in Las vegas to develop a QT.mov file: 289.1 MB 2. Making use of Apple QT Animation in Squeeze on Computer to create a QT.mov document: 260 MB 3. Making use of x264 in Squeeze on PC to produce a ‘lossless'.mov document: 20.5 MB 4. Using back button264 in Squeeze on PC to generate a ‘lossless'.mp4 document: 39.2 MB Queries: Why are usually the QT Animation files so large?

Formally, what will be the Computer animation codec carrying out to the currently lossy (compressed).wmv file? What is the x264 codec performing to the.wmv document? Would you think about that the 20.5 MB times264.mov or the 39.2 MB back button264.mg4 file is actually “lossless” or will the transcode produce every even more “lossiness” even though the file size can be bigger than the first.wmv?

I notice no difference in either audio or visual high quality when adding these 4 (non-complex) data files into Screenflow and either looking at them in the publisher or exporting fór YouTube. I'Il repeat the process for some “complex”.wmv data files with difficult animation factors and document back; nevertheless, it would end up being really helpful to realize from the theoretical as properly as from the practical factor, how to acquire the high high quality transcodes with acceptable (if not really the smallest) documents dimensions.

The Animation codec can end up being established to end up being lossy or lossless. Since Vegas Professional doesn't provide you entry to the quality setting, I believe it'beds using 100% which will be lossless and lossless codecs usually produce larger data files because they put on't throw any information away. Codecs like Mótion-JPEG and Phóto-JPEG generate much smaller sized documents because they are usually lossy but also because they are usually developed for video not computer animation. You might would like to make use of Photo-JPEG if you're looking for smaller sized file dimensions. Photo-JPEG will be what a great deal of Share Footage houses use to deliver their video footage. It is certainly a really high high quality codec with great compression.

Outstanding and informative. I shoot using a Panasónic AF101 and a GH2 and I'm editing and enhancing in Vegas Professional 12/After Effects. I am about to buy an external recorder/monitor combo and I feel searching at either the Convergent Designs Odyssey 7 or the Atomos Samurai Edge. Both gadgets record either tó DNxHD (or ProRés, which I do not need).

One problem I possess is definitely that DNxHD does not support an alpha station - have I grasped that correctly? If that will be the situation, will it suggest that I can't make use of that codec if I have always been, for instance, entering out a greenscreen, or have I got it all incorrect? Hi there Ian, It's not really that DNxHD doesn'testosterone levels support an alpha route, it's that Avid deals with alpha stations in a different way than any some other NLE in the industry so if you are not modifying with an Avid NLE, then you can't make use of the alpha route in thé DNxHD codec. Thát does not imply that you can't make use of the DNxHD video footage for keying. It just means that it gained't save the alpha dog channel in a method that you can use. If you require an leader channel kept to your video just use QuickTime PNG or QuickTime Computer animation codec which will conserve the video with it'h alpha sales channel intact.

If all you are doing is definitely keying and compositing in Vegas Pro, after that DNxHD will end up being fine. Wish that assists.

Great tutorial but I question why no one particular brings up that Sony Vegas, in process, has complications managing DNxHD and ProRes. The problem is that Sony Vegas (10, 11 and apparently 12) is reliant on a 32bit (not really 64bit) centered plug-in FileI0Surrogate.exe.

If yóu have got a longer project with several videos, the FileIOSurrogate procedure eats up memory and accidents your program. The issue is known for many yrs but evidently is not resolved by Sony Vegas. This can make Sony Las vegas almost unusable for circular outings to various other programs depending on DNxHD ór ProRes for Ionger tasks. In my case, I have got a film that is definitely 30 minutes long and the typical cut will be 5 securities and exchange commission's, so I ended up with 360 DNxHD clips that I acquired to send for colour corrections. The issue is usually that I can not really even transfer back that numerous DNxHD videos in a Sony Las vegas 11 (built 701) task. It generally fails. I experimented with shorter tasks and in my case the restriction can be around 150 videos before the accidents start to happen.

Evidently, Sony Vegas enjoys MP4, AVCHD, ánd MPEG-2 but QuickTime ProRes or DNxHD are pushed through the bottIeneck of FileIOSurrogate thát makes this NLE program unusable for projects much longer than 15 min. (By the way, I tried different variations of QT fróm 7.7.1 to 7.7.5 with the exact same outcomes). Mark, do you have any recommendations or workarounds on this issue?

Really, I've heard a great deal of people point out this on several fora. It's nicely recorded that you can't have got too many QuickTime files in a Vegas Pro project because it provides a control owing to it'h 32-bit handling. I put on't understand of any workaround some other than transcoding the documents to a even more Vegas friendly file format like Sony MXF. I'michael not sure how properly Avid DNxHD functions with Avid Mass media Composer on a Computer either but a fast check out of their forums reveals a lot of problems with QuickTime on a Computer for them simply because well. You have to request yourself why you are modifying QuickTime data files, which is certainly the indigenous pot for Macintosh, on a Computer? If you need to collaborate with other Mac publishers then maybe it would end up being less difficult to purchase a Mac and make use of Final Trim Pro Times.

I possess both a Macintosh Pro and a Computer and I edit with Las vegas Pro and Final Cut Professional Times every 7 days. It's a issue of using the correct device for the job. I wear't test and make one work with the various other because they in no way will. My beliefs is usually, you are usually either on an 3rd party project and obtain to pick your own tools, or you are usually working with a community of publishers and require to become ready to find out the equipment that the group uses. IMHO, it is a waste of period to test and get “your” tool to work with “their” tool. It'h simply a tool.

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